AI Insights · Timothy · July 2023
Top 5 Three Kingdoms Games on iOS in the UK: Q2 2023 Performance
Discover how the top 5 Three Kingdoms games performed on iOS in the UK during Q2 2023, with insights into their weekly downloads, revenue, and active user trends.
The second quarter of 2023 saw notable performances from the top 5 Three Kingdoms games on iOS in the United Kingdom. Below, we highlight the weekly trends in downloads, revenue, and active users for these popular apps.
Dynasty Legends 2, published by Taihe Interactive, experienced fluctuations in weekly revenue, peaking at approximately $2.6K in the week of May 8. Weekly downloads were highest at 186 in early April but tapered off to just 3 by the end of June. The app's weekly active users started strong at 1.3K in early April, seeing a slight rise to 1.4K in early May before stabilizing around 1K towards the end of the quarter.
三国杀, from 杭州游卡网络技术有限公司, saw its highest weekly revenue in late March with around $2.3K. Downloads remained relatively stable, ranging between 18 and 45 per week. Active users hovered around 130 throughout the quarter, showing minimal variation.
Three Kingdoms:Overlord by Bekko.com had a peak weekly revenue of about $1.8K in late March, with notable increases to $1.5K in late April and $1.3K in late May. Weekly downloads were sporadic, reaching 5 on a few occasions, though there was no consistent trend. Active user data was not provided for this game.
新三國志手機版, published by Sialia Games, maintained steady weekly revenue between $400 and $900. However, there were no recorded weekly downloads or active user data for this period.
神魔三國志 from Forever Entertainment Network Limited had its highest weekly revenue in late April with about $864. Downloads were minimal, with a maximum of 8 in early April and sporadic instances of 1 or 2 in other weeks. Active user data was not available.
For more detailed insights and metrics, visit Sensor Tower. These trends provide a glimpse into the performance dynamics of the top Three Kingdoms games on iOS in the UK, highlighting the varying degrees of user engagement and revenue generation across different titles.